Blog 1708 Maxberry Kurtdavies 8

Painter Max Berry about fear, Banksy and Papaya

Max Berry's thing are paintings, landscape paintings. He paints a picture full of natural, warm colors, that are very attractive to the viewer and make you want to morph into his world.

He grew up in Kather­ine, North­ern Ter­ri­to­ry and is now liv­ing in Syd­ney. His lat­est exhi­bi­tion, which was very well received, was called Return to Slow” and it was a show full of Ire­land land­scape mag­ic, whom Max Berry cre­at­ed in answer to his res­i­den­cy in Ire­land. For this year he has a solo exhi­bi­tion com­ing up in August, and he is plan­ning a vis­it to a small town called Hill End (which is noto­ri­ous in Aus­tralian art his­to­ry) to vis­it his men­tor Lino Alvarez, a Mex­i­can ceram­i­cist and chef as well as the oth­er res­i­dent artists.

When did you know you want to be an artist?
Imme­di­ate­ly.

What makes you want to paint?
I reck­on there’s a very basic almost pri­mal feel­ing of sat­is­fac­tion from mak­ing new works, I haven’t found any­thing else that can offer this feel­ing. I’m lucky enough to be in a posi­tion to sus­tain an art prac­tice, so I’m going to give it a red hot go.

Blog 1704 Dam Camphor

Do you think your work has a con­sis­tent style?
I hope peo­ple can iden­ti­fy my work, my style or cer­tain ges­tures but at the same time I guess it’s also weigh­ing up the desire to evolve and exper­i­ment. I think it’s impor­tant to be wary of devel­op­ing crutch­es as if you were using a lim­it­ed vocab­u­lary, works can become stale this way. But I’m always chew­ing over new ideas and new medi­ums to work with, and I cer­tain­ly aim to imbue each with some­thing of a con­sis­tent style, it’s a bal­anc­ing act.

Anselm Adams once said, Land­scape pho­tog­ra­phy is the supreme test of the pho­tog­ra­ph­er — and often the supreme dis­ap­point­ment.” Do you think same can be applied to land­scape paint­ings?
Oh yes! The supreme dis­ap­point­ment. Pho­tog­ra­phy or paint­ing, very few cap­ture the true sense of time or place. The most dif­fi­cult or the most reward­ing part is in obsess­ing and select­ing what record and how. I’ve stum­bled on many places that are tired or unin­spired, yet once back in the stu­dio or months lat­er can real­ly res­onate, it’s these places that I’m most excit­ed about, these types of places that I want to test myself with.

How long are you usu­al­ly work­ing on a paint­ing?
It can fluc­tu­ate awful­ly, some­times min­utes and oth­ers up to months. I work on a bunch at once, arrayed on the wall and work on whichev­er holds my atten­tion that day. Usu­al­ly, I rotate around a dozen at a time, often more than one at a time.

Blog 1704 House Over Hedgrows

How do you know when to stop work­ing on a suc­cess­ful work?
The ulti­mate dilem­ma! Prob­a­bly why I have end­ed up work­ing on a bunch at once. I guess it’s eas­i­er to nego­ti­ate with myself if there’s anoth­er work stand­ing by which needs atten­tion I can jus­ti­fy leav­ing one to be eval­u­at­ed lat­er on. In my expe­ri­ence, you can not be pre­cious, and you should trust your instincts. Fear is the mind killer.

What makes some­one an artist?
Deter­mi­na­tion.

Do you feel like an adult?
Briefly, but the moment has passed.

Do you think child­ish­ness is impor­tant to be cre­ative?
In the sense that you can aban­don all pre­con­ceived ideas of cre­ativ­i­ty and dis­miss all your life­time of expe­ri­ence, then yes.

Can you name a few artists whose work you admire the most?
Isamu Noguchi, Wendy Sharpe, Le Cor­busier, Hen­ri Carti­er Bres­son, Geor­gia O’Keefe, Ian Fair­weath­er. Those are the artists whose books are at the moment, off the shelf.

What is your favorite art­work?
Sol Lewitt’s Struc­tures”

What kind of art did you like ten years ago, and what kind of art do you like today?
All of it now and all of it then.

Blog 1704 Wombok  Hotsauce

Who is the most over­rat­ed artist and who the most under­rat­ed artist?
Banksy, Claes Oldenburg.

What is one thing most peo­ple don’t know about you?
My favorite food is Papaya.

And last­ly, could you live with­out art?
I don’t think I would spon­ta­neous­ly com­bust, but I’d most like­ly be grumpy.

Blog 1704 Blackmtn Exit Ramp

Pho­to by Kurt Davies

04 Aug 2017 · neubau eyewear